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Intro: Cauê Ueda

Hi all!
Happy New Year!

My name is Ueda and I’m an audiovisual artist based in São Paulo, Brasil, and had a great time with all brazilian and mexican activists, Anni, Vic, Lou and Hillary, during our residency last year. Heard a lot from the UK based artists and I’m eager to know more about your activities and projects.

I’m part of many different projects, but there’s two I’m most active right now. Both projects aims to discuss the right of people to the city, by enjoying or making art as a form of expression.

Coletivo Metanol is a group of music and visual producers that make independent street parties (I believe Lou and Hillary attended to a big street festival we’re part of called SP na Rua).

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The other project is Movimento BaixoCentro, that produced three art festivals in the streets of São Paulo’s downtown, with support only from people.

Also, during the carnival in this year, we will be presenting Bloco do Tucanistão, which discusses the actions from the right-wing São Paulo’s government, the “tucanos”.

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On all these projects, my focus is towards being a producer, and not only working as an artist.

My solo audiovisual works can be found here, which deals with noise aesthetics on natural environment footage and sound.

Nice to meet you all!

Intro: Jean McEwan

Hi again all, I am a visual artist and organiser who has been working with people, mostly in the Bradford area for a decade. A lot of this work has been  grassroots/diy/artist led activity – events, collectives, projects, in temporary spaces around Bradford, a city where there is a great history and practice of DIY arts and political activity – fellow P and P member Lou Sumray can tell you more about this culture, she has been involved for a long time.

Prior to becoming an artist in my early 30′s, I worked in the community/voluntary sector in Glasgow for a number of years. I believe art should be an everyday practice open to all, and I believe in the power of art to change lives and situations (it has saved me personally countless times). As I get older I feel a greater and greater responsibility to try to use art to make change – this need in these brutal times of national and global austerity and injustice, feels more and more urgent.

 

When I’m doing art with people I try to do it in an equitable, democratic way. I’m always looking for ways to learn more. Over the last couple of years I have tried to expand my networks (so I’m not just in a little art bubble with other art people) and have gotten to know a group of community activists in Bradford from whom I have learned a lot, both about different ways of working with people and about issues affecting Bradford. I am very interested in the intersections between art and activism – and in bringing artists and activists together in Bradford.

The work which is probably most relevant to Potency and Potential is a project I am running in a stall in Bradford’s Kirkgate Market, called ‘WUR BRADFORD’. Wur where I am from in Scotland, means ‘our’ and/or ‘we are’. It is a collective, participatory art and social space which aims to explore how we can make our city better through imagination and collective action. Wur Bradford is an open space for people to come and chat, get creative, share stories and ideas, and connect with others. Everyone is welcome to visit, get involved and suggest things that could happen. The project, which began in May last year, involves people in Bradford in diverse creative and collective activities, which to date has included creative workshops (eg Human Rights Utopian Map), themed events ( eg a DIY publishing event) as well as social campaigns (eg ‘Stand Up For Your Rights’ ,exploring the role of unions and collective action) Documentation of these and other activities can be found on the project blog here https://wurbradford.wordpress.com/. During the time the project has been running, a community of people of diverse backgrounds have come together and are growing as a group.
Wur Bradford is now at a transitional time – it is becoming a more collective endeavour – and now with other artists and participants, together we are looking at ways we can look at how the project has, and can, make social change through our activities.

Here is a short film recently made about the project.. Looking forward to hearing about other peoples’ work and connecting with and learning from you all X

www.jeanmcewan.com

Intro: Hilary Ramsden

Hi, I’m Hilary Ramsden and one of the group of three researchers based in the UK.  I call myself an artivist as well as clown, researcher and lecturer, because I like to think I make work that activates our minds and bodies around contemporary issues of concern to us as humans and our lives on this planet.

So I recently participated in the Climate Actions in Paris wearing a red nose and playing a wonderful foghorn made by a UK artist. This gave me a great feeling of solidarity and inspiration for future artwork which I have missed during the last couple of years of wrestling with a new academic career.

Much of my past work has been as a performer in theatres of one kind or another, but living and working in Detroit, Michigan inspired a passion for walking, wandering and performing in outside urban spaces.  My work these days is usually collaborative and participatory and appears anywhere but in theatres. (Although I am working on a clown show that is likely to be performed inside a building.)

I’ll start to upload some photos of past work plus a few of the Sao Paulo residential some of us went on.

Intro: Bryony Pritchard

Happy new year everyone. Here’s a little introduction and hopefully something to add to the discussion here.

I am an interdisciplinary artist, working somewhere between and amongst participation, interactivity, play, performance, dance and installation. As a creative practitioner, I am passionate about working with a variety of community groups, exploring the power of the arts as a healing and connective tool for social change.

Some examples of my community projects can be seen on my website, working with families, adults with additional needs, elderly, early years in various public and private spaces (galleries, hospitals, libraries, fields, squash courts, shopping centres, parks to name a few…):
www.artfever.org.uk/community

I have co-developed projects in the guise of Playbods with developmental movement specialist Kim Glassby- which involves researching movement with members of public to explore embodiment in the library environment through interactive games based around play and stories – children and adults.

Our blog has a write up of our recent residency at Leeds Central Library:
playbods.wordpress.com

As an example of my interests into the re/use of space, here is a link to a short film of a public performance, which was the culmination of a residency at an old textile mill working together with mill workers, local inhabitants and creatives using weaving patterns as inspiration for movement patterns.

Mill Dancing Sunny Bank Mills from Bryony Artfever on Vimeo.

It would be great to hear your thoughts and look forward to meeting you on here.